On the Removal of My Nipple Rings After Twenty Years


by A. Loudermilk
     
    I’d always felt my nipples 
    were neither here nor there 
    
    so therefore pierce 
    
    and tug  
    yet never tugged  
    
    into a zone erogenous, just  
    zeitgeist—that modern primitive thing 
    I’d read about. I was no primitive  
    nor exactly modern: androgynous vintage,  
    asexual barrette. My trailer cute  
    if a bit off-pink. 
     
    * 
    
    I’d just turned 24, homo-neurotic  
    St. Sebastian 
    in hydraulic salon chair—tattoo parlor  
    chatty—a swing-arm task lamp 
    —tyranny of slotted forceps— 
    the piercer and her  
    surgical gloves. She says don’t move.  
    She says she’s studying to be a nurse. 
     
    		(Each ring holds a captive bead.)  
    		
    I remember sulfur baths 
    at a fancy spa. I’m 31, too uptight  
    for massage though imagine me 
    imagining the water 
    pouring straight up from hell,  
    acrid, tap into tub, a curative
    that I’m warned may tarnish jewelry  
    —meaning don’t sink  
    nipples deep. I remember marble 
    and white-diamond tile and 
    me of all people in 
    my pierced nudity, my faint vitiligo. 
    
    		(They indicate through a t-shirt, 
    				each bead on its ring, 
    		yet never did I tell my mother
    		or set off a metal detector.)  
    
    Soberly now, mostly, a tender 44 
    —I remember being forced  
    to strip. Cops around me like 
    spinning tanks, their crosstalk 
    decides me  
    not eligible for the holding cell  
    where no jewelry is allowed. 
    They debate using bolt cutters.  
    
    		(Each ring begged tug but never 
    		did I know what it meant, as pierced as air.) 
    
    I remember zooming in  
    to find myself reflected in  
    the bead of my friend’s nipple ring 
    and titling the photo “Self-Portrait” 
    until I retitle it “Untitled.” 
    
    *
    
    Someday an autopsy  
    may observe me closely enough, noting 
    signs of former piercings—nipples—
    yet still I don’t care enough to regret 
    the $50 per.  
    Until the end my beginner gauge  
    merely alluded to fetishwear anyway. 
    
    What pleases me instead? The black buttons  
    on my winter coat agree. It’s snowing.
    
    
    
Packingtown Review – Vol.16, Fall 2021

A. Loudermilk's Strange Valentine won the Crab Orchard Series in Poetry First Book Award. His poems appear in publications like Cream City Review, Gargoyle, Smaritsh Pace, and Tin House, his essays in The Writer’s Chronicle, PopMatters, and the Journal of International Women’s Studies. He’s taught creative writing at Hampshire College and Maryland Institute College of Arts. He now lives in Champaign-Urbana, Illinois.

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