Crudities of Expression
by Julian Mithra

     
    The knowing steals across his face gone slack, and like it’s not so blessed 
    after all to be a man born 
    to language. 
    
    I have too many words 
    for it. 
    Tiny pebbles in my boots rubbing blisters, favoring 
    one side then the other. And Lem has even worse
    overheard in Denver. In Akron. In church.
    
    I wait, eyes down, for him to fish 
    a ragged term out and slap me 
    with it. We’d be done 
    for good. One breath. Two. Then all he says is Aw hell 
    and pushes his small face into my neck like a horse. Everything he learned 
    about bodies is from animals. Curry combs and diverticulitis 
    and the hum you need to get a horse to step 
    into a cold stream when she can’t see 
    the bottom and might have 
    to swim if it gets too deep 
    to keep her footing.
    
    Tonight, I’m a stiff pond. Fresh-
    froze, terribly hushed. Lem’s weight 
    flattens, rehearsing the warnings throughout his years. 
    How many disappeared through a hole. Nothing 
    is worth the risk of the first, weak freeze. My water 
    waits to ambush him with a shock that knocks his lungs
    from Damn to plaint.
    
    he nudges 			further/listens 				for a crack’s 	tinkle 
    I trace      		 his hands		 	through  my ice 		   ceiling 
    Fingers		 splay/creases 			     magnified/pads 		melting 
    		mirrored ovals 			     budding fracture    		  he ought to 
    retreat/retract weight    		  onto mud 			for him to live
    I ought to trust				my crystal to hold/to			   hold him 
    
     
Packingtown Review – Vol. 19, Spring 2023

Julian Mithra hovers between genders and genres, border-mongering and -mongreling. Winner of the 2023 Alcove Chapbook Prize, Promiscuous Ruin (WTAW, 2023) twists through labyrinthine deer stalks in the imperiled wilderness of inhibited desire. Unearthingly (KERNPUNKT) excavates forgotten spaces. Read recent work in Heavy Feather Review, warm milk, newsinnews.

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