Heavy Metal Hair
by Naomi Bess Leimsider

     
    All I want are devil horns and a head banged head full of matted animal hair, tangled thick
    to the scalp. Aerosol spray mists, drips, sticks in the back of my throat. The dense growth
    of heavy metal heyday hair works my small girl fingers hard: parting, extending, ratting it up.
    If I form the sign of the horns over my luminous halo of layered high volume, it will only bring
    me closer to the devil, but if I drink from eye cups and wear a precious amulet, I will prevent
    the force of nature that is the evil eye. For it seems I’ve glommed on to devil things.
    
    Flash me the devil sign because horns up is the way to ward off the shape shift that occurs in
    empty spaces. If I cut my hair, I abandon this strange land in favor of supposedly nicer things.
    If I cut my hair, I will miss the devil energy, endless hidden messages gleaned from the record
    machine, and the big bad drama of metal boys, headcases all, and so, so hard to suss out. If I cut
    my hair, I will lose the interwoven body of it, the tight and twisted knot of it, in favor of visions,
    superstition, knocking on hard places to keep the devil at bay, with nothing real ever resolved.
    
    I will be gone a long time before they dig me up, play with my rotted hair like a doll. Reconstruct
    my knotted-up head, brush a hundred shiny strokes through strands stubbornly threaded into
    a teased whole until my hair is stick straight, liquid soft. If I raise the horns, go fingers up, I will
    be at the edge of beckoning, but if I put my overworked fingers to better use, believe in eye
    charms, the talisman, my flat open hand, I will be saved. Oh, I get it now: wear nice hair, count
    small blessings, or fall for the devil. But I am allowed to want things, so while I can I have at it.
    
Packingtown Review – Vol. 20, Fall 2023

Naomi Bess Leimsider has published poems, flash fiction, and short stories in The Avenue Journal, Booth, Anti-Heroin Chic, Wild Roof Journal, Planisphere Quarterly, Little Somethings Press, Syncopation Literary Journal, On the Seawall, St. Katherine Review, Exquisite Pandemic, Orca, Hamilton Stone Review, Rogue Agent Journal, Coffin Bell Journal, Hole in the Head Review, Newtown Literary, Otis Nebula, Quarterly West, The Adirondack Review, Summerset Review, Blood Lotus Journal, Pindeldyboz, 13 Warriors, Slow Trains, Zone 3, Drunkenboat, and The Brooklyn Review. She has been a finalist for the Acacia Fiction Prize, the Saguaro Poetry Prize, and the Tiny Fork Chapbook Contest. In addition, she received a Pushcart Prize nomination in 2022.

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